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Purbayan Chatterjee + Ramana Balachandhran

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Silk Street
London, EC2Y 8DS United Kingdom
7 February 2026
7:00 pm

An extraordinary double bill of Indian classical excellence where seasoned artistry meets youthful virtuosity, creating music that stirs and thrills one’s soul.

This is a tale of two great traditions: experience the deep knowledge and maturity of master sitarist Chatterjee alongside the dazzling brilliance of rising Carnatic star Balachandhran, whose prodigious talent has captivated audiences since childhood.

In the first half, child prodigy Balachandhran brings his extraordinary Carnatic veena artistry alongside the firepower percussion of mridangam virtuoso Krishnan. After the interval, sitar shapeshifter Chatterjee – renowned for pushing the boundaries of Hindustani tradition, joins forces with tabla maestro Singh for an electrifying exploration of raga and rhythm.

With Valentine’s Day just a week away, this sell-out sensation is the perfect gift to celebrate love through live music.

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Ramana Balachandran | Full Concert

Ramana Balachandran | Full Concert

Recorded at Darbar Festival 2022, on 13th October, at Milton Court, Barbican, London. Musicians: - Ramana Balachandran (Veena) - Patri Satish Kumar (Mridangam) Fast gaining worldwide critical acclaim, the talented musician is known for his ability to deliver with phrasal clarity while delving deep into the recesses and quiet spaces between microtones or notes. Hearing him play is like attending a crash course in interpreting raga music – at times pensive and intense, and at times shining with the levity of youth. The sum of his unconventional path through life includes his father’s decision to homeschool him for several years because as he wanted his son to have a more richly varied life filled with travel, exposure and artistic immersion – and many of the joys (as well as unique challenges) that come with the territory as a a child prodigy in Indian classical music. Yet what Balachandhran plays is more than the sum of one life journey alone. It is a sort of primal – Jungian collective unconscious, if you will – call back to time immemorial that stirs something deep within the soul. Balachandhran’s veena is deliberate and contemplative, taking listeners on a meditative journey. Opening with Ragam Thanam Pallavi in Raga Kapi, he puts his full gamut of dexterous skill on display, improvising and vocalising in a way that is both free and pure, but also demonstrative of conscious musical restraint and hard-won mastery. That he chooses the Ragam Thanam Pallavi structure to draw his audience in is telling, as it allows him to use the framework to build in a textured exploration of elaborate complexity, rhythmic variety and spirited renditions. The exploration of the raag invokes a sense of serenity amid the audience, and the refrains he lays sparkle like shimmering breadcrumbs in the air, poised to be picked up again later when they coalesce in the culmination of the raag. His co-musician, Patri Satish Kumar, is like a supportive best friend. Though many years apart in age, both exude a comfort and camaraderie together on stage – chemistry nurtured through their association, especially while traveling and living together for the festival.