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Introduction to Mridangam with Jayachandra Rao

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16 January 2026
5:00 pm
Curious about the mridangam or Rao’s teaching style? Try it out in a one-hour workshop

Join us for an exciting online taster session with the renowned mridangam virtuoso Jayachandra Rao, offering beginners a unique opportunity to explore the rich traditions of this ancient South Indian percussion instrument.

Whether you’re completely new to the mridangam or simply curious about its mesmerising rhythms and techniques, this introductory workshop is designed to welcome all enthusiasts with no prior experience necessary.

Jayachandra Rao will guide participants through the fundamentals of the instrument, demonstrating basic strokes and rhythmic patterns whilst sharing insights into the cultural significance of the mridangam in Carnatic music.

This taster session serves as the perfect introduction for those considering enrolling in the full workshop series, providing a glimpse into Rao’s teaching style and the captivating world of South Indian classical percussion.

Don’t miss this chance to learn from a master musician and discover whether the mridangam’s powerful, resonant voice speaks to your musical journey.

Book a spot now.

No instrument is required to attend the session.

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Recorded at Darbar Festival 2013, on 19th September, at London's Southbank Centre. Musicians: - Patri Satish Kumar (mridangam) - Jayanthi Kumaresh (saraswati veena) - RN Prakash (ghatam) - Mithila Sarma (tanpura) The darbar team presents this special 'best moments' video capturing some of the hightlights of amazing percussionist, Patri Satish Kumar performing during the Darbar Festival 2013, at London’s Southbank Centre. This was recorded during the concert by Jayanthi Kumaresh on the Saraswati Veena. Patri Satish Kumar is one of India’s leading mridangam players, known for fine dynamic control and architectural solo phrasings. First inducted into music by his violinist mother, who noticed his talent at tapping his school lunchbox in rhythm, he went on to study under three Andhra Pradesh gurus - S Ramachandramurthy, VA Swami and V Narasimham. He credits his teachers with broadening his mind, recounting that they never set him ambitious goals beyond immersing into the music as fully as he could. He says that “the mridangam chose me and not the other way around”. But it was on kanjira that he got his early break, reasoning that it would allow him to accompany top mridangam artists and perhaps fill in for them on occasion. It worked - he was soon accepted as a mridangam accompanist, and has now worked with almost all of today’s top Carnatic artists. He has worked in jazz settings too, and his ‘Dancing Drums’ project involves a large ensemble of layered percussion instruments. But his forays into fusion have not diluted his classical playing, which still forms the focal point of his stellar career. Subscribe to the Darbar Player to access the full, uncut performance.