Anupama Bhagwat’s sitar style exemplifies the best elements of the Imdadkhani gharana - structured alap (rhythmless introduction) playing, rapid taans (melodic elaborations), and a detailed mastery of gayaki ang (singing style). Her varied approach reflects the eclecticism of her guru Pandit Bimalendu Mukherjee (father of Budhaditya), a sitarist who also played sarod, veena, surbahar, pakhawaj, sursingar, mandra bahar, dilruba, esraj, and tar shehnai.
She won All India Radio’s sitar competition in 1994, and has participated in fusion projects such as Global Rhythms and Shanti. Now based in Bangalore, she continues to refine her style while touring to acclaim.
"So exhilarating has been the beauty of my journey in the realms of music, that the destination is no longer important"
Darbar believes in the power of Indian classical music to stir, thrill, and inspire. Explore our YouTube channel, or subscribe to the Darbar Concert Hall to watch extended festival performances, talk and documentaries in pristine HD and UHD quality.
Pandit Kushal Das is a leading master of both the sitar and surbahar, with a style that builds on Pandit Nikhil...
read more
Niladri Kumar is known for his expansive modern sitar style, stretching the boundaries of classical music. Trained...
read more
Born into a highly illustrious family of traditional musicians of the Agra Gharana, Mehboob is the grandson of the...
read more
Enjoy nearly 1000 handpicked raga performances,
exclusive behind-the-scenes interviews, and insightful documentaries & TV shows,
all at your fingertips.
Keep up to date with the latest news, events, music and musings across our social channels
For hundreds more clips and shorts, vist our YT page here 
