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Echoes of Tradition: Reviving the Jori of Punjab

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7 East St,
Leicester, LE1 6EY United Kingdom
27 March 2026
7:00 pm

A bold new experiment with the most archaic instrument in Indian classical: a showcase of jori 

This special showcase marks the culmination of Jasdeep Singh’s Developing Your Creative Practice (DYCP) grant, awarded by Arts Council England, and represents a significant milestone in his mission to revive and reposition the rare jorī within the UK music landscape beyond its traditional settings.
The first half will feature a jori solo, presenting rare tals of the Punjab gharana, accompanied with Sarangi by Satwinder Pal Singh.
The second half will expand into a dynamic ensemble, bringing the Jorī into dialogue with new musical voices, featuring Jesse Bannister on saxophone, Satwinder Pal Singh on sarangi, Gurdain Ryatt on tabla, and Jasdeep Singh on jorī.
This ensemble represents both a culmination of artistic development and a bold step forward, honouring tradition while exploring new creative possibilities and ensuring the continued voice of the jori for future generations.
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About Jasdeep Singh: For over a decade, Jasdeep Singh has played a vital role in advancing Indian classical and Sikh devotional music across the world. Through institutional teaching, performances, and the release of an internationally recognised film, his work has contributed significantly to preserving and elevating traditional musical heritage on both national and international platforms.

Performers:

Jasdeep Singh (jori)

Jesse Bannister (saxophone)

Satwinder Pal Singh (sarangi)

Gurdain Ryatt (tabla)

 

 

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Kirit Singh & Jasdeep Singh | Full Concert

Kirit Singh & Jasdeep Singh | Full Concert

Raags Performed: - Raag Yaman - Raag Durga Musicians : - Kirit Singh (Vocal) - Jasdeep Singh (Jori) At Darbar Festival 2024, the air was rich with devotion as Kirit Singh offered a heartfelt rendition of Raag Yaman, his voice steeped in emotion and classical finesse. Accompanied by Jasdeep Singh on the rare and majestic jori, the performance paid homage to the deep-rooted Sikh and Hindustani musical traditions. The jori's earthy resonance beautifully complemented Kirit's soulful alaap, weaving a dialogue between voice and rhythm that was both meditative and majestic. Together, they invoked a timeless atmosphere—where tradition was not just preserved, but celebrated with grace, reverence, and deep musical camaraderie. Raag Yaman is one of the most beloved and foundational ragas in Hindustani classical music, known for its serene, devotional, and romantic mood. Sung during the early evening hours, Yaman evokes a sense of peace and longing, often described as uplifting yet introspective. It is based on the Kalyan thaat and employs the sharp Ma (Tivra Madhyam), which gives the raga its distinctive, ethereal charm. With a graceful ascent and descent, Yaman offers ample space for elaborate alaaps and imaginative improvisation. For centuries, it has been a favorite among maestros and students alike—a timeless gateway into the spiritual depths of Indian music. Raag Durga is a luminous evening raga from the Hindustani classical tradition, known for its simplicity, purity, and devotional character. It belongs to the Bilawal thaat and is composed entirely of shuddha (natural) notes, creating a serene and auspicious mood. Often associated with a gentle, motherly grace, Durga evokes a sense of calm devotion and quiet strength. Its pentatonic structure invites both clarity and creativity, making it a favorite among vocalists and instrumentalists alike. When performed with depth and feeling, Raag Durga becomes a prayerful experience—an offering of melody that touches the heart with its understated spiritual beauty.