Skip to main content
Loading Events

Fundamentals of Sitar with Srijanee Banerjee (In-person Workshop)

Sign Up Now
30-32 Blyth Road
London, London UB3 1BY United Kingdom
27 June 2026
1:00 pm

This is your chance to pick up that sitar and finally get over the fear of learning a new instrument.

Whether it’s been sitting in the corner of your room or calling to you from afar, the sitar is one of the most expressive and rewarding instruments in the world, and this is where your journey begins. On Saturday 27 June, 1–4pm at Darbar Studios, join artist, teacher, and ITC scholar Srijanee Banerjee for an intimate, hands-on workshop built specifically for beginners. In just three hours, you’ll move from uncertainty to your first real musical moment, playing a traditional composition in one of Hindustani classical music’s most beloved ragas. Small group, expert guidance, and a warm space to make your first sounds confidently.


Here’s what you’ll walk away with:

By the end of the session, you’ll know how to tune your sitar accurately, one of the biggest hurdles for any beginner, solved from day one. You’ll be introduced to meend, the signature expressive technique that gives the sitar its unmistakable, soulful voice, and begin to feel it under your fingers. Through focused exercises, you’ll start to build left- and right-hand coordination — the foundation of speed, clarity, and control as you grow. And in a moment you’ll want to remember, you’ll play your first gat in Raga Yaman, a raga known for its beauty and grace, brought to life through a traditional composition.


A rare chance to learn from an exceptional teacher

Srijanee Banerjee is not just a gifted performer — she is an exceptionally skilled teacher who combines deep technical knowledge with real performance insight. Her teaching style is clear, encouraging, and rooted in the living tradition of Hindustani classical music. In an intimate in-person setting, you’ll receive the kind of personalised attention that’s simply not possible in a large class or online.

Explore our Academy Courses

Explore all our live and on-demand music courses guided by world-class maestros. From beginners taking their first steps to advanced students refining their craft, our globally accessible platform empowers you to learn, grow, and connect deeply with the tradition of Indian classical music

Niladri Kumar & Pandit Subhankar Banerjee | Raag Bhimpalasi

Niladri Kumar & Pandit Subhankar Banerjee | Raag Bhimpalasi

Recorded at Darbar Festival on 21 Sep 2014, at London’s Southbank Centre. Musicians: - Niladri Kumar (sitar) - Subhankar Banerjee (tabla) Raag Bhimpalasi; Thaat: Kafi; Samay: Afternoon Niladri Kumar’s virtuosic take on the afternoon Raag Bhimpalasi, running up and down his sitar’s fretboard at lightning speed at Darbar Festival 2014. Niladri Kumar is known for his expansive modern sitar style, stretching the boundaries of classical music. Trained under his father, a disciple of Ravi Shankar, he was recognised as a prodigy. He has since developed an extraordinary technical command of his instrument, complete with dextrous double stops, whispering string bends, and rapid taans [fast improvised lines]. He makes forays into film composition and is the inventor of the ‘zitar’ - a hybrid of electric guitar and sitar. Today he tours extensively with Zakir Hussain’s groups as well as a solo artist. Bhimpalasi is an afternoon raga, said to evoke sringara [attraction, romantic love]. It uses the notes of Kafi thaat, with an aroha [ascent] of nSgmPnS and an avroh [descent] of SnDPmgRS. Characteristically, Dha and Re only appear in the descending line, and tend to be approached from the notes immediately above. Ma is the vadi [king note]. It is similar in shape to the Western Dorian mode, and the closest Carnatic raga is Abheri. Subscribe to the Darbar Player to access the full, uncut performance.